Justin Bieber has built a catalog spanning pop anthems, R&B collaborations, and gospel-inspired tracks. Understanding what songs Justin Bieber own helps fans, collectors, and rights managers navigate his evolving catalog.
His catalog includes hit singles, album tracks, and exclusive releases, with ownership shared across labels, publishing entities, and his own creative ventures.
| Song Title | Primary Writers | Label | Key Catalog Split |
|---|---|---|---|
| Baby | Justin Bieber, Ludacris, Christopher Bridges, Tricky Stewart, The-Dream | Def Jam Recordings | Master: Universal Music Group; Publishing: Sony/ATV, Kobalt |
| Sorry | Justin Bieber, Julia Michaels, Justin Tranter, Skrillex, BloodPop | Def Jam Recordings | Master: Universal Music Group; Publishing: Downtown Music, WB Music |
| Love Yourself | Justin Bieber, Benny Blanco, Ed Sheeran | Def Jam Recordings | Master: Universal Music Group; Publishing: Sony/ATV |
| Peaches | Justin Bieber, Andrew Wotman, Louis Bell, Giveon, Sebastian Singh | Def Jam Recordings | Master: Universal Music Group; Publishing: Warner Chappell, Kobalt |
| Ghost | Justin Bieber, Dominic Fike, Louis Bell, Billy Walsh | Def Jam Recordings | Master: Universal Music Group; Publishing: Warner Chappell, Bravo Music |
Ownership of Masters and Publishing
The question of what songs Justin Bieber own intersects with master recordings and publishing splits. In many deals, masters remain with labels, while underlying compositions can be split among multiple writers and publishers.
He has publishing stakes on select tracks through joint ventures and strategic catalog investments, positioning him as both a recording artist and a developing songwriter.
Collaborations and Features
Collaborations shape a large part of what songs Justin Bieber own in a joint-use sense. Features with DJ Khaled, Chance the Rapper, and Ariana Grande expand his reach and create shared ownership across contributors.
These tracks often involve multiple publishing domains, performance rights organizations, and neighboring rights bodies, depending on the jurisdictions where the songs are used.
Rights and Revenue Streams
Ownership of songs connects directly to revenue from streaming, radio, sync, and mechanical reproduction. Tracking what songs Justin Bieber own helps estimate upside in royalties and licensing.
Performance rights fees, synchronization licenses, and digital download revenue are distributed according to registered shares, which can differ between master and publishing sides.
Catalog Growth and Future Releases
As his catalog grows, new registrations and splits influence what songs Justin Bieber own over time. Early catalog acquisitions can strengthen his negotiating position for future projects.
Artists often pursue original compositions and sample clearances to protect catalogs, which affects both legacy hits and newer material entering the repertoire.
Key Takeaways and Recommendations
- Verify master ownership and publishing splits before licensing any Justin Bieber song.
- Collaborations often introduce additional rights holders and require multi-party clearances.
- Track new registrations and catalog deals to understand how his ownership evolves.
- Consult music clearance professionals for high-value sync or commercial usage.
FAQ
Reader questions
Which songs does Justin Bieber fully own as a writer?
He holds songwriter shares on tracks like Love Yourself and some newer releases, where he is listed among the writers, though masters are typically managed by his label.
Does Justin Bieber own the master recordings of his early hits like Baby?
Masters for most early hits, including Baby, are held by Universal Music Group, while publishing rights may be split among several publishers.
Can I use a Justin Bieber song in my commercial if I credit him?
No, using a Justin Bieber song in a commercial requires a synchronization license from the publisher and master clearance from the label, regardless of attribution.
How do I find the exact publishing splits for a specific Justin Bieber song?
Check performance rights society repertoires, ISWC registrations, or music publishing databases to locate detailed splits for writers and publishers on any given track.